Perfect Mrs India' 2020 Season 3 finale sees a bevy of intelligent women vie for the skies!

The simplicity, the social distancing and the small gathering could not hold back the glitz and glamour of 'Perfect Mrs India' 2020 Season 3 finale saw the chosen 12 Top finalists  from all over India prove their mettle to try and win the crown.

Dr Khooshi Gurubhai Thakkar and Gurubhai Thakkar, the driving forces behind the empowering women's pageant  along with Dr Geet Thakkar avered, "There are no barriers of Height, Weight or Age in this pageant.  Indian women give up their dreams and turn four walls into a home. This pageant looks beyond everything and aims to empower them, to help them grow wings!"

The contestants came from varied fields. From housewives to professionals to COVID warriors, the field was open.

Soumita Nandy won the awarded Perfect Woman Of The Show, while there was a tie between Pooja Nishar and Jayanti Gupta for the Second Runner Up, Reema Bahl was the First Runner Up and the coveted title was bagged by Saraswathy Iyer who was crowned 'Perfect Mrs India 2020’. The jury consisted among others,  Philanthropist Dr. Aneel Kashi Murarka, Writer-Director and Social Activist Anusha Srinivasan Iyer, Journalist Jyothi Venkatesh, Shruti Jain.

The event also saw the Perfect Achievers Awards where the winners chosen by audience choice  included Ranvir Shorey, Sharad Kelkar, Sahil Salathia, Deepshikha Deshmukh,  Sanjay Gangnani, Helly Shah, Madhurima Tuli, Chahatt Khanna, Amol Parashar, Child Artist Dishita Sehgal,  Sujoy Mukherjee, Ojas Rajani, Alankrita Sahai, Shivani Tomar, Kanika Mann, Charul Malik, Riya Deepsi, Donal Bisht, Kaveri Priyam, Ahsaas Channa, Jay Soni, Simran Ahuja and Krishna Bharadwaj among many others.

All in all a perfect evening twinkling with achievers indeed.

My Guru, My Father by Amjad Ali Khan

Ustad Haafiz  Ali Khan was born in a house responsible for giving the Sarod its present shape and structure.  The traditional style of music which today has become somewhat rare is called Dhrupad, where the use of embellishments does not exist. The usage was more of long glides both for vocalists and instrumentalists. He added to it the melodic possibilities of instrumental music in its complete dhrupad form. A rabab oriented Sarod style, more staccato,  more  right  hand  than  left,  more mechanical than melodic was converted  by  Ustad  Haafiz  Ali Khan to a brilliant amalgam of feeling and cleanliness,  heard only in the Rudra-Been and the Sursingaar of the descendants of Mian Tansen. Ustad Haafiz Ali Khan could make his sarod sing. This he did by a very advanced technique of the left hand fingernails and a thorough understanding of the Raga pattern filtered through feeling and Aesthetic   awareness.   He could flower with tonal accuracy even when the string pitch went down by a quarter note or more. He  was  himself  a  great  dhrupad  singer  and  discovered  a brilliantly coordinated  and  synchronized  stroke  sustainability in his sarod.   With this he could translate his vocal dhrupad lines in the otherwise metallic instrument of his ancestors, to a stream of aesthetic melody patterns.

Haafiz Ali Khan lived for Music. For my father, though, there was no question of a life outside music. Life itself was Music and Music was Life. And so I came to inherit from him the legacy of five generations of musicians as naturally as a bird taking to the air. His exquisite music was not just an artistic performance but a form of prayer. He was initiated in the tradition of the Senia Gharana by direct descendants of the line of Swami Haridas, Mian Tansen and leant at the feet of Ustad Wazir khan of Rampur. Ustad Wazir Khan broke the convention of teaching only family members and accepted him as his disciple.  Now a direct disciple of the Tansen School, Haafiz Ali Khan Saheb started flowering under the Ustad’s undiluted teaching.  More knowledge enriched the already exposed brilliance of Haafiz Ali Khan Saheb and his strict adherence to vocal dhrupads made the veterans of his time look at him with admiration.   His performance together with his tonal richness and accuracy from instrumental music a status equivalent to vocal music; The melody rich Sarod got an unthinkable status.

Ustad Haafiz Ali Khan was honoured with the title of Aftab-e-Sarod by the All Bengal Music Conference in Calcutta, the Sangeet Natak Akademi Award and also received a fellowship of the Akademi. The Universities of Vishva Bharti and Khairagharh conferred doctorates on him. The Government of India conferred the award of Padma Bhushan in 1960. The true Godfather of Instrumental music of his times!  Far ahead of his time, Ustad Haafiz Ali Khan realized the coming of the industrial age, its rapidity and its lack of leisure and want of time.   He believed that rag music in its purity, can only be preserved by precision. Stretching the raga too long will lead to irrelevant phrases, raga dilution and deviation.    Rabindra Nath Tagore also believed in this. Ustad Haafiz Ali Khan was the last musician who stuck to his dhrupad roots. He created the correct raga environment by playing dhrupad lines verbatim and then elaborated and expanded them.   He will also be remembered as the last of the Senia dhrupad greats. Apart from his formidable command over traditional sarod compositions, dhrupad and thumri, he was particularly appreciated in the Viceregal firmament of colonial India for his unique, stylized renditions of "God Save The King" on his sarod.

The Sarod Ghar-Museum of Musical Heritage in Gwalior, is a unique institution devoted to promoting Indian classical music, heritage and culture. Under the aegis of Haafiz Ali Khan Memorial Trust, through this 'window' to the past, music lovers can gain a better understanding of the evolution and history of Indian Classical Music and can get a deeper perspective and insight into the context of the art as it exists today. The aim of setting up this institution is to create awareness and respect for classical music, musicians and the variety of instruments of India. The road on which the museum stands has been named Haafiz Ali Khan Marg by the Govt. of Madhya Pradesh. The first instruments exhibited were the instruments belonging to his forefathers. Madhya Pradesh has had a whole history of great musical legends down memory lane . The great vocalist Ustad Amir Khan Saheb, Ustad Jahangir Khan Saheb, Ustad Abdul Haleem Jaffar Khan Saheb, Bharat Ratna  Lata Mageshkar-ji are among the prominent aristes who belonged to the city  of Indore. The city of Dewas gave birth to another two prominent personalities. Ustad Rajab Ali Khan and Pandit Kumar Gandharva. The legendary Hindi film playback Singer Kishore Kumar-ji and his brother the famous  Ashok Kumar-ji  also belonged to Khandawa .

A road in the name Ustad Haafiz Ali Khan Saheb was inaugurated by the Honourable Chief Minister, Smt. Sheila Dikshit few years ago at PWD Road. This is the 2nd entry road to Nizamuddin Railway Station. This is the only road named after an artist after Tansen and Thyagaraja in the capital city in 2011.  The Kolkata Municipal Corporation also renamed New Park Street as Ustad Hafiz Ali Khan Sarani by chief minister Mamata Banerjee in 2013.

Having spanned over 90 years, my fathers was a life that connected the high points of the colonial era to the turbulence of our own times. Born sometimes in the 1880s at Gwalior where his father Nanneh Khan was court musician, Haafiz Ali Khan Saheb took great pride in the fact that it was his great grandfather, Ghulam Bandegi Khan Bangash, who turned his native Afghan rabab into what we know today as the sarod. Yet his thirst for knowledge took him to Pandits Chukha and Ganeshi Lai of Vrindaban, who were stern practitioners of the Dhrupad and then he went on to Rampur, where he became a disciple of the great Ustad Wazir Khan, the descendant of Tansen. My father left his impression not only in that provincial court but, more importantly, also in Calcutta, then the Imperial Capital. It was here that he received the love and adulation that was to endow him with the legendary status. Raichand Boral, who later rose to fame as the music Director of the New Theatres and the discoverer of K.L. Saigal, was more intimate and colorful in his reminiscences always told me that the first time my father came to his house in 1918, the Great war had just ended and a complacence was beginning to set in the music world of Bengal. ‘With his coming, we were suddenly confronted with a genius who almost rudely banished smugness, lethargy and tidy housekeeping.’ He discovered the link between dhrupad and thumri long before it was commented upon by others. To be able to see Haafiz Ali Khan in proper perspective in the words of Dr Narayana Menon was that Haafiz Ali Khan was the poet. Abba Saheb, as I called him, was a born extrovert, held his head high, brooked no nonsense from any quarter and walked the earth like a renaissance prince.

On the occasion of Ustad Haafiz Ali Khan Saheb's 48th death anniversary, I pray to my father and guru, like every day. May his soul rest in peace! As I have written in my memoir about Ustad Haafiz Ali Khan (1877- December 28, 1972) that for me, the seven notes of music were him. He was the epitome of music. He was my inspiration, my reason of perspiration and he was my idea of representation.

-Amjad Ali Khan

 

(Pictures: 1. The concert by Haafiz Ali khan and Amjad Ali Khan after Ustad Haafiz Ali Khan received a doctorate from Khairagarh Universityof music in the year 1964. The D Lit from the same university was conferred on Ustad Amjad Ali Khan on Dec 26, 2016,

2. Ustad Haafiz Ali Khan

3. Ustad Haafiz Ali Khan Saheb receiving the Sangeet Natak Academy Fellowship from Dr. Rajendra Prasad. Maulana Abdul Kalam looks on in 1952

Czech Republic Consul General Rashmi Jolly-Gautam Patole's Live Art Fest marks newer beginnings amidst social distancing

Post COVID, Mumbai welcomes Art again, after a 9-month hiatus with Art Adda, a unique event at Jolly Board Towers, I-Think Campus E Wing, Kanjurmarg East, hosted by India's Consul General to Czech Republic Rashmi Jolly and master artist Gautam Patole of Art Desh Foundation, in association with Secular Art Movement. The Art Adda, a one-of-its-kind open air, live Art show, with live canvas paintings, workshops and demonstrations sees the participation of noted artists from different cities of India. Actors Preeti Jhangiani, Pooja Bedi and Angela Krislinzki graced the inaugural ceremony that also witnessed the presence of Rashmi Jolly, Gautam Patole, Dr.Agarwal, Bharat Patel, Anisha Jolly, Rupali Patole among various talented artists. People mingled with each other, shared ideas, interacted with visitors and created great works of Art. There were live demos, workshops, discussions etc while strictly adhering to social distancing norms.  

“These have been trying times for all of us and we do not know when this ordeal will get over. No exhibitions, no galleries and no events... Art Adda will be a welcome break,” says Rashmi Jolly who is also Executive Director and Vice Chairperson of Jolly Board Ltd. and an ardent art lover who has graciously offered a beautifully-landscaped office complex of Jolly Board Ltd. for art activities.  

Adds Gautam Patole, “Artistes like to breathe fresh air. Art Adda signifies that. Creativity cannot be stifled; circumstances cannot rule us. We must overcome the hurdles and move on."

The ambience of Art Adda inspires one to paint... With Art Adda providing canvas, drawing paper, colours, tea/coffee snacks and lunch, all the artists and sculptors bring their brushes and their spirit! 

About 15 artists participated in the inaugural event. Artists from Pune and Hyderabad showcased their skills on canvas. This was perhaps the first time that this kind of live painting work was conducted in the city for the public at large. There will also be workshops, demonstrations, classes et al, in the future. 

Says Gautam Patole, “There are many known artists and art professors who live around the campus. There is an organisation called Secular Movement that is doing commendable work for artists living in this area. Mr Bharat Shelke, working President of Secular Movement was thrilled to know that Jolly Art Adda is offering encouraging facilities to the artists.”

All in all, yours to experience, enjoy and be a part of the art celebrations till 24th December. And come home exhilarated this X-mas eve!

Railway Raju On December 18

 

Railway Raju, a love story amidst an action film based on the wrestling gangs of Banaras and directed by international award winning filmmaker Dinkar Rao, is slated for release on December 18, 2020 in theatres in Uttar Pradesh, Uttarakhand and New Delhi braving the Covid onslaught.

It creates a beautiful beginning for films to return to theatres like the good old days before Covid struck. “For me, it’s a pleasant surprise that the film is releasing and it’s a UP based film. It’s a film which has interesting elements. When I showed it at the Cannes film market many buyers from South East Asia and North America liked the concept of wrestling gangs in north India.” says director Dinkar Rao whose short film Asthi starring Antara Rao was premiered at Cannes, which he plans to complete it as a feature film with a known Bollywood actress.

Railway Raju has Sunny Shaw & Telugu actress Lavanya Rao in the lead roles and a host of good theatre actors from Uttar Pradesh, New Delhi, Mumbai, USA and Germany.

The film has managed an all India release after having been released in Mumbai earlier through Vkaao, an arm of PVR and Book My Show. “I am very grateful to our project designer and marketing and distribution consultant S Ramachandran for being the guiding force during the making, censor and release of the film” says Dinkar Rao.

Churning Dreams into Profits

He Is down-to-earth, not pretentious, not overbearing, maybe a little biased towards doing the right thing. 

Christened  Newsmaker by The Economic Times, philanthropist, serial entrepreneur, business leader, investor, speaker, inventor, publisher, Tel K. Ganesan is also a respected Hollywood producer. No wonder he is often called a Bohemian!

Tel Ganesan is definitely not your typical businessman. Three decades in the US, four films set for world release, over a dozen successful businesses and he still spends his spare time writing poetry, brushing up his histrionics and honing his skillsets. Packed with insights, Ganesan as a mentor is a vital resource for small business owners young, budding entrepreneurs and both new and established professionals looking to avoid the pitfalls that threaten fledgling companies. One of the most successful business creators, Ganesan’s easygoing nature, never-say-die attitude, infallible business acumen can actually make launching your own company a cinch. 

To many, Ganesan is a personal hero, a true mentor who can turn your wayward strategy upside down and set you on the right path for a rock-solid business plan of action. Ganesan is known for his fresh perspective and careful approach and his success story is an inspiration. 

Ganesan as a 21-year-old boarded his flight to the US with nothing but his belief, not in miracles but in himself. Every day was not smooth, and there were times that would make him want to go back to the comforts of his hearth and home, but he stuck on. “When you want something bad enough, you push to make it happen. It is as simple as that,” Ganesan says simply.

Tel Ganesan had initially arrived in the US to pursue higher education in engineering, subsequently landed entry-level jobs and eventually earned degrees in engineering as well as a Masters of Business Administration from the prestigious University of Michigan and followed that up with 15 years in Chrysler.

Today, Ganesan runs numerous companies in the tech and healthcare sectors under his Kyyba family of corporations. His production house Kyyba Films is behind Christmas Coupon (2019), Celebrity Crush (2020), Devil’s Night: Dawn of the Nain Rouge (2020), and Trap City (2021), as well as developing new projects including American movies with their roots in India. 

Ganesan is also the proud owner of a patent for a manpower utilization tool. “I realized the need for a service to deal with manufacturing and production problems in real-time scenario; of manpower utilization in complex environment — how to quickly identify who is on leave for any amount of time and the work divided needs to be balanced off. There are many variables involved in the process of maintaining that balance, and so my team and I designed and patented an algorithm that helps decide in real-time, who is to be assigned to which workstation and who is qualified to do what kind of job, etc. considering all factors of production — and quickly. It minimizes the downtime and is the future of innovation. This way firms will efficiently save a great deal of money thanks to discretionary planning.”

In Kyyba Healthcare, Tel Ganesan is developing innovative Software as a Service (SaaS) products. “Our goal is to make wellness available for everyone and not just the celebrities and the nouveau riche.” 

As a publisher, Tel Ganesan wants to see the pen returned to its rightful place—mightier than the sword! “The power of writing is immense and I want to restore the pen to its former glory.” 

Tel Ganesan is also a public speaker, mentor, and provides seed funding for projects he believes in. He was the immediate past President of The Indus Entrepreneurs (TiE) Detroit chapter for the second term (2016-2018) and previously the president of the chapter for two consecutive years (2009-2010), successfully chairing 5 mega annual conferences (TiECONs).

Tel Ganesan leaves behind these words for the new generation: “You know you’re successful when you can’t fall asleep, because your reality has become so much more exciting than your dreams. So, love yourself. Believe in yourself. Celebrate successes. Analyse weaknesses. Do your thing. Remember, faith and pride will always hold your head up when everyone else has their head bowed. Don’t look for a successful person and try to emulate them. The real successful personality can always be you!” The entrepreneurial spirit radiates from these wise words. More power to Tel Ganesan!